Erinnerungen an Wüsten
Ein Rückblick auf die Berlinale 2023. Heute vor einem Monat war der letzte Tag der 73. Berlinale. …
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interview
Dreameater
After the premiere of Míng tian bi zuo tian chang jiu (Tomorrow Is a Long Time) I was intrigued by…
Welcome to Country
It’s Thursday afternoon, two days before the Generation Kplus award ceremony. Jub Clerc (director o…
"I stopped believing in the power of cinema"
" My ne zgasnemo (We Will Not Fade Away) " is the new documentary of award-winning …
A Call for Media Literacy
Monday afternoon in the lounge area at Urania. In the cinema hall I can hear people clapping and ch…
Only love can create freedom
"Le paradis (The Lost Boys)" is the feature debut of the Belgian director Zeno Graton, wh…
“Once you leave you can never go back to who you were as a child” - Im Gespräch mit der Regisseurin Venice Atienza von “Last Days At Sea”
Am Mittwochvormittag durfte ich mit der philippinischen Regisseurin Venice Atienza über Zoom sprech…
Five minutes with Fred Baillif
an interview with the director of „La Mif“ The cinema is slowly filling up and the joyful voices o…
“Because movies and art can be dreamlike” - Interview with Dash Shaw
Interview about the film Cryptozoo The open-air cinema Rehberge is filling up more and more. The d…
A Strong Female Voice From Iran - Eine kleine Begegnung inmitten des hektischen Berlinalealltags
Als ich die Berlinale Lounge für mein Interview mit Massoud Bakhshi, dem Regisseur von „Yalda, la n…
Insights into the Iranian Judiciary System - A Discussion with Massoud Bakhshi, the director of „Yalda, la nuit du pardon“
During the Berlinale I had the chance to participate in a so-called roundtable with two other journ…
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